J. S. Bach

  • Year 1908
  • Type Book
  • Tradition Lutheran
  • Original language German

For For organists, singers and anyone serious about Bach's church music; not for a reader looking for Schweitzer's theology, which this barely touches.

Should I read this?

For the general reader
3 of 5 worth your time
For the researcher
4 of 5 important
Difficulty
3 of 5 demanding

The large German study of Bach's life, aesthetics and works, arguing that his music paints the texts it sets. A classic of Bach interpretation, long and detailed.

How it proceeds
  • Philosophic 2 of 5
  • Scriptural 2 of 5
  • Experiential 2 of 5
  • Sociological 1 of 5
  • Historical 4 of 5

Independent intensities, 0–5 — what the work is made of, not how good it is.

The German Bach book, published by Breitkopf & Härtel in Leipzig in 1908: not a translation of the French study of 1905 but a new and far larger work of some 840 pages. The first part treats Bach's life, the chorale and the cantata before him, and his musical aesthetics; the second goes through the works, with long chapters on the cantatas and passions and on how they should be performed. Its best-known thesis is that Bach's music is pictorial and word-bound, with recurring musical figures for joy, grief, walking or the waves. Ernest Newman's English translation, made from the German with the author's alterations and additions, appeared in two volumes in London in 1911. With the Quest of the Historical Jesus it made Schweitzer's name before he left for Africa.

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