J. S. Bach, the Musician-Poet

  • Year 1905
  • Type Book
  • Tradition Lutheran
  • Original language French

For For musicians and readers of French who want Schweitzer's first study of Bach; most English readers will want the larger German book in Newman's translation instead.

Should I read this?

For the general reader
2 of 5 worth a look
For the researcher
3 of 5 worth your time
Difficulty
3 of 5 demanding

The 1905 French study that first argued Bach was a tone-poet whose music paints the words he set. Superseded by the larger German book of 1908.

How it proceeds
  • Philosophic 2 of 5
  • Scriptural 1 of 5
  • Experiential 1 of 5
  • Sociological 1 of 5
  • Historical 4 of 5

Independent intensities, 0–5 — what the work is made of, not how good it is.

Schweitzer's first book on Bach, written in French at the suggestion of his teacher Charles-Marie Widor, who supplied the preface, and published by Breitkopf & Härtel in Leipzig in 1905 with the collaboration of Hubert Gillot. Its argument is in the title: Bach was a poet and painter in sound, whose music illustrates the words and images of the texts he set, and the cantatas and chorale preludes can only be performed rightly when that pictorial language is understood. The book was some 455 pages; when Schweitzer came to prepare a German edition he did not translate it but wrote a new and much longer book, J. S. Bach (1908), which is catalogued here as a separate work.

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